This is Thomas Mayer's blog about vacuum tube audio.
Concepts, ideas, unusual circuits and tubes, directly heated triodes, LCR RIAA EQ. Circuits with favorite tubes: EC8020, E55L, D3a, 851, 849, 845, 841, 801A, 866A, 211, 45, 46, 26, 10Y, UX201A, 6A6, 6AH4, 6AM4, 6AX4, 6BY5, 6CB5A, 6CG3, 6HS5, 6HV5A, 6J5, 6N7, 6SC7, 6SF5
DISCLAIMER: Vacuum tube circuits work with dangerously high voltages. Do not attempt to build circuits presented on this site if you do not have the required experience and skills to work with such voltages. I assume no responsibility whatsoever for any damage caused by the usage of my circuits.
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Sunday, June 23, 2013
Guest Post: Diego's 6CB5A Amp
Earlier this year I had the pleasure of getting in contact with Diego from Chile who was interested in my SE 6CB5A concept. He got a partial kit for this amp and completed it recently. Diego was so kind to write about his experience, so here is his guest post:
Hi, I am Diego from Santiago, Chile, and I recently finished my first DIY amplifier: Thomas' 6CB5A, the version with separate PSU and Tango interstage and output transformers. Thomas asked me to write some impressions of the whole building experience.
Let me talk about myself a little bit. I started following Thomas' blog around a year ago and was fascinated by the amps he showed, and was also impressed by the choices he made in the PSU design and the circuits. The concept is to use a very well filtered (passive) PSU and reduce the number of components in the circuit to the minimum, using nice quality components. Add to that a flexible operation point for the tubes (not written in stone) and a nice headroom, and I was convinced that when choosing an amp to build for the first time it would be one of Thomas' designs. I have not built an amp before, but you have to start somewhere… I did small modifications to an Almarro EL84 single ended and built a passive volume control using a Tribute inductive autoformer. That was my experience. What I had was some understanding of electric circuits because I studied engineering, but something very basic.
Then on March this year I decided to build the 6CB5A amplifier. The requirement was simple: I needed an integrated amplifier with more than 5 W able to drive speakers (MLTL Fostex FE108sigma) and my headphones (Hifiman HE500). The 6CB5A was an obvious choice to me, specially because all the tubes are readily available at ebay at very low prices. I started emailing Thomas about the components and the circuit. I decided to build the top version of the amp because otherwise I would start wondering what if I had chosen better components. Thomas was very flexible in the components to get from him, I finished getting the chokes, resistances, condensers, tubes, sockets, power transformers and the cabling from him. I got the Tangos directly from their distributor in Japan. The stainless steel metal plates and the wooden boxes were made locally. After around 30 emails with Thomas, by the end of March the Tangos and Thomas' packages were shipped to Chile.
The metal plates and the amplifier layout were designed by me using pictures from Thomas and information he sent me about some of the plates he designed as a reference. Several custom enclosures were discussed, but none was strong enough for the amp. It is very heavy, probably over 25 kg. If you use stainless steel you could do with 3 mm thickness, with aluminum 4 mm is the minimum acceding to Thomas. At the end I made an autocad drawing and send the plates to be cut using water jets. The wooden boxes were made of coigue (a native wood from the Andes) by a local carpenter.
After going through customs in Santiago, I had all the electronic components by middle May. The wooden boxes were ready by the end of May, so I was able to start the construction of the amp at the beginning of June. The power transformer deserves a special mention. It has 2 grounds, one to connect the safety ground and another you could leave floating or connect to the mains to solve ground loops. The primary has inputs for 220, 230 and 240 V, which is very good to make small voltage adjustments for the heaters (it would be nice to have a tap for 210 V as well in this part of the world…). And then it has 2 secondaries that combined are able to supply any voltage between 100 and 625 V in 25 V steps, so you could use it for virtually any design.
Once you have all the components with you and having studied previously the connections it took me 4 days to have the amp sounding. You work fueled by the desire of listening for the first time. For volume control I recycled my Tribute autoformer volume control. Thomas was not very convinced of not driving the amp using a proper active line stage. But I plan to use the amp with a Metrum Octave dac which did a good job driving the autoformer with my Almarro, so I included in front of the circuit into the wooden box. It worked fine.
The amp is now finished, has been used every day for more than 10 days, so let me share some listening impressions. No hum at all with the speakers or the headphones. This is a quality I value a lot on audio equipment because it means better signal to noise ratio. The dynamics are impressive, when the music grows (in fortissimos or where you need high SPL) it is not just louder, but bigger. I don´t know how to say it better, specially in english… Low level listening is a pleasure, you don´t feel there is something missing if you don't crank the volume up, which I feel is a consequence of high signal to noise ratio and good dynamics. But none of these things is the most impressive of the amp. What impresses me the most the body and tone intensity of the music, these qualities are in a hole new level in my system. I have listened to some custom made 45 amps that share these qualities, but with 5 times less power (would love to listen Thomas' 45 but it will be hard unless I build it myself…). I don´t know if this makes sense, but the feeling is sound now goes out of the speakers instead of staying inside them, maybe this is these called soundstage. Bass and treble extension improved a lot, bass is articulated and controlled, now I know I was listening to distortion in some tracks on my previous amp. Treble has a very interesting quality. There is much more detail than before, better location and definition of the sound, but even if I try I had not been able to make the system sound bright. I think the word is refined. Dylan´s harmonica sounds perfect, violins and cellos have that wood smell and tone intensity… A small anecdote, my girlfriend has never noticed any of the changes I made to the system… until now, her comment was the previous amp sounded like a cheap radio…
I did not know my speakers were capable of sounding like they are now. The Tango output transformers are very flexible, they have outputs for 8 and 16 ohm loading the primary 2,5, 3,5 and 5,0 kOhm. I found them sound best at 3,5 kOhm primary and 8 Ohm. 5 kOhm gives more damping factor, reduces gain a little and in my view you get a more solid state sound, but of course this is speaker dependent. 2,5 kOhm is a little bit too much tube sound to me. On the Hifiman I use the 16 Ohm taps for 2,5 and 3,5 kOhm primary, which load the tube at 5,4 and 7,5 kOhms respectively after accounting for the headphones impedance of 34 Ohm. I though I prefer the second one (7,5 kOhm) at first but now I am starting to think they sound better loading the tube at 5,4 kOhm, with a somewhat fuller sound.
I measured the gain (V out / V in) and it is around 5,5 which is a nice number if you have a source of 2 VRMS (like my dac) and speakers over 93 db. On some recordings where the level is really low you might want a little more gain, but remember my speakers are 89 db and I like to listen loud. But I have experience this only with some DSD recordings, not with regular CDs.
To take into account the size and weight of the amp, I thought I have to treat it not like a pice of audio equipment, but like a piece of furniture. So I got some wheels and sourced some tempered glass to put on top of each box to place the rest of system. This is how it is installed on my living room right now.
To finish I have to congratulate Thomas because he designed a wonderful amplifier, maybe the best I have heard, and best of all, it is mine and I built it! At the end, when you are located in Chile you don´t have the opportunity to listen a lot of nice hifi gear, and making the decision of building an amplifier that you only have read about it is a big leap of faith, putting all your confidence on the designer not only for the circuit but for troubleshooting. Specially when the components are not cheap like in this case. Now I can say this leap of faith was worth it.
PS: You can read about this amp in spanish at our local hifi forum
Thanks a lot, Diego for sharing this story! And congratulations for the finished project. It is great that the 6CB5A concept made it's debut in Chile! Best regards Thomas