Stereo Single Ended 45 amplifier

 Hi!

below some photos of a recently finished 45 amp.

It is a stereo amplifier with the power supply integrated.

This represents my entry level in amplification with the 45 tube.

Tube rectification with two 6AX4 TV damper tubes. A pair of 6N7 as driver tubes is interstage transformer coupled to the output tubes.

All transformers and chokes, except the main power transformer reside inside the chassis.

The two trim pots between the output tubes are hum buckers to minimise residual hum from the AC heated 45s.

This enables a hum free operation except on extremely sensitive speakers for which I would recommend the DC heated version of the 45 amps. On my 98dB speakers no hum whatsoever was audible.

Best regards

Thomas

The New 6CB5A Amplifiers

 Hi!

Last month I showed the initial construction steps of the new 6CB5A amps. In the meantime they are finished.

The amplifiers are constructed in tower style with dark wooden enclosures.

The amps are laid out as mirror images of each other.

The tube complement consists of a 6N7 driving a single ended 6CB5A wired in triode and a full ave bridge of 4 6AX4 diodes.

This yields 8W of glorious single ended power. Output taps are available for 4, 8 and 16 Ohm speakers.

Here a photo of the naked amp without the enclosures showing the vertical assembly technique:

The amps will now test run for a few days before they are shipped to their new owner.

Best regards

Thomas

Making of 6CB5A Mono Amplifiers - Part 1

 Hi!

I just started assembly of 2 single ended 6CB5A amplifiers and will share the construction process.

Readers of my blog will know that I have a long history with the 6CB5A tube and always proposed it as an interesting alternative to the more mainstream tubes.

I have built numerous versions of this amplifier which uses a 6N7 as driver and a rectifier bridge with 6AX4 TV Dampers.

This time it is a fully fleshed out pair of mono blocks built in the floor standing tower style chassis, as used in recent amplifiers like the last Stereo 300B amp I built.

Once the bare metal plates arrive the assembly can begin. Here we see the 2 top plates which are mirrored to each other this time, and all the bits and pieces needed for the internals:

Mounting the tube sockets and some initial wiring:

The top plate with all parts mounted and wired:

The next level below the top plate carries the interstage and output transformers and some capacitors:

Below that another capacitor bank and filter chokes:

And on the bottom the mains power transformer and another 2 chokes:

All the sub assemblies of one channel:

Completion of the amps will continue when some missing parts arrive. Stay tuned for part 2 which will show the final steps of assembly and finished amplifiers.

Best regards

Thomas

Tube of the Month : The 6N7 (revisited)

 Hi!

Since I just showed a set of 2A3 amplifiers which use the 6N7 as driver I thought it is a good idea to have a look at this tube again in detail.

The 6N7 was one of the first tubes which I presented and was shown in the Tube of the Month post in February 2011. But that was a rather short post with only a few photos. So let's have a look at it again.

The 6N7 is a double triode. Both triodes have the cathodes internally connected. The tube was designed with two applications in mind. One of them a Class B output stage and the other as Class A driver with both halves connected in parallel. The latter is the way I am using this tube to drive small output tubes like the 45, 46, 2A3 and also the 6CB5A. The 6N7 has an octal base. The pinout can be seen on the left. With both triodes in parallel it has a plate resistance of 10 kOhm which is just low enough to use it with interstage transformers. It can also be used with inductive or restive load of course. Due to the highish plate resistance a high quality interstage transformer is needed with sufficient primary inductance to allow good frequency response. The tube uses a 6,3V heater which needs 0.8A. The amplification factor is 35 which is a good value to be able to build 2 stage amplifiers with the aforementioned output tubes and still have a good input sensitivity. For the complete technical details refer to the General Electric data sheet. The 6N7 was made in both ST shoulder type glass (6N7G) and also tubular straight sided glass (6N7GT) as well as with metal shell (6N7). Before we look at the various tubes, let's examine the linearity of the tube in Class A mode. Here the curve set from the data sheet:

And here the plate curves taken with the tracer with both halves wired in parallel:

Since I use the 6N7 a lot I have a big stash from different manufacturers.

A 6N7G made by RCA.

A lot of getter in this one.

This tube came in a nice box with the RCA 'meatball' logo.

Sealed boxes:

This type of packaging is the only way to be sure the tube is NOS and not used. The tubes can be tested in box without tearing the carton.

Another one:

RCA 6N7GT:

More variations:

JAN CRC 6N7GT made by RCA for the military:

The glass of this one has a grey coating.

Another one with coated glass but in commercial packaging:

A metal 6N7 by RCA:

6N7 made for the military:

The box on the right says Canadian Armed Services but looks like RCA made.

Sylvania 6N7G:

Sylvania 6N7GT:

Metal 6N7 made by Sylvania:

National Union 6N7G and 6N7:

Ken-Rad:

Part of the glass is blacked.

Metal 6N7 by Ken-Rad:

Philco 6N7G:

Various glass and metal 6N7 made by Raytheon:

The next two are rebranded 6N7GT:

This metal 6N7 came in an International Service Master box (a parts supplier) and has no markings on the tube:

Amperex:

Visseux 6N7GT made in France:

Tung-Sol 6N7GT with blacked glass:

Tung-Sol 6N7:

General Electric:

Westinghouse:

This 6N7GT has one side with open heater, so a good candidate to open up:

One of the two triodes:

Cathode and grid:

The heater:

Cathode:

Best regards

Thomas