DISCLAIMER

All rights of photos and text reserved. Usage of photos or text from my blog on other websites or for any other purpose only with prior permission. If you want to use any material from my blog please contact me by email.

Thursday, April 13, 2017

Tube of the Month : The 40

Hi!

This month I'd like to present a tube most of you probably never heard of: The 40.




The 40 is a directly heated triode with thoriated tungsten filament developed for voltage amplification stages. It is derived from the UX201A.

It is a high mu triode with an amplification factor of 30, which is unusually high for a directly heated triode. As it is derived from the UX201A it shares the same base and pinout as well as the same filament which needs 5V and consumes 0,25A. The higher mu is achieved by a different grid geometry. Such a high amplification factor does not come for free. The plate resistance is an astonishingly high 150 kOhm vs the 10kOhm of the UX201A. This corresponds to a transconductance of only 200 micromhos. In order to achieve a meaningful amplification the tube requires a very high impedance plate load and can drive next to nothing. In actual use this means that not much amplification will be left. This is probably why this tube never got very popular on and did not see widespread use. However it might be worthwhile to look at it with some more modern approach. A constant current source load should enable to realise the full mu of the tube. Since it runs at very low current of much less than 1mA it could also be loaded with a grid choke. Some of those can carry some DC current. However the winding capacitance of such a choke could already limit the high frequency response. Many years ago I built some test circuits with this tube directly coupled to a UX201A. I remember that I struggled to get a decent high frequency response which started to roll off at 10kHz. The sound I got from the test build showed some nice tone however. I never went beyond some initial attempt to use the 40. Maybe some brave soul will look at it and give it a try? It shows the typical plate curves of a directly heated triode:




Unfortunately I have too many other things on the plate. But if anybody takes up the challenge to use this tube in audio applications, please report back your findings.




I only have ST shape versions of the 40 in my stock but it was also made in globe shape as UX240.




These are some type 40 tubes made by RCA.




Like the 01A almost all of the glass is covered with getter.








Very little of the internal structure is visible through the getter.






A 40 made by Philco:









Different style Philco packaging:







When the filament tis lit up a little bit of the internal structure can be seen:






A beauty, isn't it?


Best regards

Thomas




Sunday, April 9, 2017

The 10Y Linestage

Hi!

The 10Y line preamplifier is the most popular among my line stages. Here some photos of 2 recently finished ones.





One of them in the classic silver/black/walnut color scheme and the other in gold/maroon red/smoked eucalyptus which is very popular lately. Here both side by side:




They share the exact same circuit and use Tribute OPTVCs with finemet cores.




Both these versions have separate volume controls for left and right allowing for some balance adjustment.




The gold one together with it's power supply:




On this one the OPTVCs are mounted under transformer covers to match the color of the caps.





A close up showing the metallic particles in the red varnish of the caps and transformer covers glowing on the sun:




The back side showing the in and outputs:




The silver/black preamp:




The Tribute transformers are visibly mounted behind the 10Y tubes.





Best regards

Thomas



Tuesday, April 4, 2017

More 211 amplifiers....

Hi!

Last month I showed a set of 211 drives 211 mono blocks with mercury vapour rectifiers. Here is another set of these amps but using only vacuum rectifiers in the power supplies.




Here the set is being tested in the workshop system:




At the front a newly finished single ended 10Y line stage in the lately popular gold/maroon red finish.




The amps share the same design with the previous set with only tubes on the top of the chassis. The power supply uses 4 6AU4 TV damper tubes in a full wave bridge configuration.




Here with different 6AU4 tubes which do not have getter at the top and show more of the heater glow:




Best regards

Thomas

Thursday, March 30, 2017

The New VarEQ Phono for 78rpm Records

Hi!

After the last Variable EQ phono stage for 78rpm records I always wanted to build one with switchable LCR EQ. Here it is.






Bernd Hemmen and Wolf von Langa with whom I will set up a system at the upcoming High End show again, came up with the idea to do 78rpm demos similar to the  one at the ETF in Berlin. A good reason to develop a new variable EQ preamp for such an event.




This time with D3a tubes and based on the same fully transformer coupled circuit as my D3a LCR RIAA phono stages.




Only mono this time and with separately adjustable bass turnover frequencies and treble roll off.





The last implementation had too many settings with 12 positions for each. This time I reduced to just 6 settings each.





The two D3a tubes are placed at the front and part of the chokes and transformers of the circuit are placed on top under transformer covers.




The power supply is completely separate:




Visit us at the High End fair and join us for a journey through the history of Jazz on 78rpm!




Best regards


Thomas



Saturday, March 25, 2017

The Ultimate Line Preamplifier, Part 7

Hi!

In the last post about the ultimate line preamp I showed the work in progress on the latest build. Now it is finally finished.




Unlike the last three builds this one will stay in my system.




Finally I get to enjoy this preamp for myself!




It has the same color combination as my ultimate phono stage.




This combination will stay in my system, as my main demo preamp.




It will also be on demo at the upcoming High End fair in Munich.




Here we see 4 Hytron VT25 glowing away in the preamp:




The line stage together with the matching ERC8020 differential phono:





It has three inputs, of course it can also be built with more inputs if needed.




I already wrote about the sound in previous posts about this line stage so I am not going to bore you with more superlatives.




Together with the EC8020 differential phono this represents my ultimate statement in preampfification.




Come to the High End fair in May to listen to this preamp.




Stay tuned for more info about the system which will be shown in Munich.

Best regards

Thomas